Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY.  Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.  Photo credit: Heather Phelps-Lipton  More information at:  https://bushelcollective.org/melissa-thorne/
 Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY. Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.  Photo credit: Heather Phelps-Lipton  More information at:  https://bushelcollective.org/melissa-thorne/
 Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY. Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.  Photo credit: Heather Phelps-Lipton  More information at:  https://bushelcollective.org/melissa-thorne/
 Perseids, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
 Fitches Crossing, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
 Slow Shake (Lake), 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
 Full Moon in Capricorn, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
 Fireflies, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
 Desert Center 1, 2016: Ink and graphite on existing wall, 38 x 38".  Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.  Photo credit: Lance Gerber  Photo editing: Jason van Stavaren  More information at:    http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
 Desert Center 4, 2016: Ink and graphite on existing wall, 38 x 38".  Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.  This image is also printed as an edition:  Desert Center 4, 2017: Archival pigment print on Epson Ultrasmooth Fine Art Paper, 13 x 20".  Edition of 20, signed and numbered by the artist. Printed full bleed without border.  Photo credit: Lance Gerber  Photo editing: Jason van Stavaren  More information at:    http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
 Desert Center 3, 2016: Ink and graphite on existing wall, 38 x 30".  Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.  Photo credit: Lance Gerber  Photo editing: Jason van Stavaren  More information at:    http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
 Untitled WC2, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 Untitled WC4, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 Untitled WC3, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 Untitled WC1, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 By the Light or the Eye, 2015: Exterior installation view, acrylic enamel and milled sintra on existing storefront.  Site-specific painting installation made for GRIDSPACE, an artist-run storefront in Brooklyn, New York.  Photo credit: Alan Wiener       
 By the Light or the Eye, 2015: Interior installation view, ink and watercolor on existing wall (left), framed letterpress print (right).  GRIDSPACE, Brooklyn, NY.  Photo credit: Alan Wiener
 Aperture, 2015: Unique letterpress print with hand-painted watercolor, 8.5 x 10.5" each.  Two examples from a limited edition print series made with GRIDSPACE editions, in collaboration with printer Ruby Kapka/NSFW Presse.
 Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.  Acrylic paintings installed on site-specific wall painting, ink and graphite, 10'8" x 40 feet.  Photo credit: Logan Beck
 Untitled (Rocks), 2013: Acrylic on linen on panel, 40 x 32".  Photo credit: Logan Beck
 Untitled (Louver), 2013:  Acrylic on linen on panel, 40 x 32".  Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck
 Untitled (Olana), 2013: Silkscreen wall-hanging on hand-dyed linen, 2 panels 72 x 48" each, + hand-turned maple stool with acrylic enamel surface, 16" diameter x 12".  Photo credit: Logan Beck   
 Untitled (Olana), 2013:  Detail view of stool with machine-milled relief face.  Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Alternate installation view with second wall painting, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck   
 A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Detail with framed watercolors installed on wall painting.  Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck
 Ranchstone Repeat, 2012: Ink and graphite on existing column, 32 feet x 16” x 16”, University Art Museum, University at Albany/SUNY, NY.  Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
 Ranchstone Repeat, 2012:  Detail, ink and graphite on existing column, 32 feet x 16” x 16”, University Art Museum, University at Albany/SUNY, NY.
 Repeater, 2011:  Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.  Site as Symbol exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA.   
 Repeater, 2011:  Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.  FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
 Stamp, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Divider, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Patch, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Repeater, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX.   Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
 Rockslide Rocksolid, 2010: Custom audio table with vinyl records, 20 x 20 x 16".    
 Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.    
 Rockslide Rocksolid, 2010:  Sound curtain patterns, screen-printed on hand-dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
 Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves. 
 Patch Repeat, 2011: Letterpress and unique watercolor collage, 8 x 10” each.   Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson/Wavelength Press.   
 Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008: Original watercolor and audio, produced as a CD edition of 50.   The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition in which artists were invited to interpret works from the museum collection,  A Machine Project Field Guide to the Los Angeles County Museum of Art.
 Eight-Story High Rise, 2007:  Ink, watercolor and gouache on paper, 28 x 25”.
 Geode ,  2007: Ink and watercolor on paper, 19 x 16".   
 Demonstration Earthship, 2007:  Watercolor, ink, gouache and collage on paper, 34 x 30".
 A Partial Index of Improvements, 2006-7: Watercolor, ink and gouache on paper, each panel 10 x 13".  24 individual works shown exclusively as one piece, overall installed size variable.
 Superstructure (House Construction Details, 1939-1968), 2007: Ink and watercolor on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."
 Lancaster Coverlet (Philip Schum, 1814-1880), 2006: Ink on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."   
 Quaker Meeting House (Princeton, NJ, 1726), 2006: Ink and watercolor on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."         
 Six-sided Trivet (Woven Floral Point), 2007: Ink on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."
 Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY.  Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.  Photo credit: Heather Phelps-Lipton  More information at:  https://bushelcollective.org/melissa-thorne/
Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY.  Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.Photo credit: Heather Phelps-LiptonMore information at: https://bushelcollective.org/melissa-thorne/
 Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY. Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.  Photo credit: Heather Phelps-Lipton  More information at:  https://bushelcollective.org/melissa-thorne/
Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY. Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.Photo credit: Heather Phelps-LiptonMore information at: https://bushelcollective.org/melissa-thorne/
 Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY. Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.  Photo credit: Heather Phelps-Lipton  More information at:  https://bushelcollective.org/melissa-thorne/
Shadde, 2017: Installation view of exhibition at BUSHEL, Delhi, NY. Site specific ink wall painting on existing walls, framed works on paper installed on wall painting.Photo credit: Heather Phelps-LiptonMore information at: https://bushelcollective.org/melissa-thorne/
 Perseids, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
Perseids, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".Photo credit: Jason van Stavaren
 Fitches Crossing, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
Fitches Crossing, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".Photo credit: Jason van Stavaren
 Slow Shake (Lake), 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
Slow Shake (Lake), 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".Photo credit: Jason van Stavaren
 Full Moon in Capricorn, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
Full Moon in Capricorn, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".Photo credit: Jason van Stavaren
 Fireflies, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".  Photo credit: Jason van Stavaren
Fireflies, 2017: Watercolor, ink and gouache on collaged paper, 17.5 x 14".Photo credit: Jason van Stavaren
 Desert Center 1, 2016: Ink and graphite on existing wall, 38 x 38".  Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.  Photo credit: Lance Gerber  Photo editing: Jason van Stavaren  More information at:    http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
Desert Center 1, 2016: Ink and graphite on existing wall, 38 x 38".Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.Photo credit: Lance GerberPhoto editing: Jason van StavarenMore information at: http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
 Desert Center 4, 2016: Ink and graphite on existing wall, 38 x 38".  Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.  This image is also printed as an edition:  Desert Center 4, 2017: Archival pigment print on Epson Ultrasmooth Fine Art Paper, 13 x 20".  Edition of 20, signed and numbered by the artist. Printed full bleed without border.  Photo credit: Lance Gerber  Photo editing: Jason van Stavaren  More information at:    http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
Desert Center 4, 2016: Ink and graphite on existing wall, 38 x 38".Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.This image is also printed as an edition:Desert Center 4, 2017: Archival pigment print on Epson Ultrasmooth Fine Art Paper, 13 x 20".  Edition of 20, signed and numbered by the artist. Printed full bleed without border.Photo credit: Lance GerberPhoto editing: Jason van StavarenMore information at: http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
 Desert Center 3, 2016: Ink and graphite on existing wall, 38 x 30".  Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.  Photo credit: Lance Gerber  Photo editing: Jason van Stavaren  More information at:    http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
Desert Center 3, 2016: Ink and graphite on existing wall, 38 x 30".Site-specific painting, one of a series of four created in abandoned cabins in Desert Center, CA, during a 2016 residency with Epicenter Projects.Photo credit: Lance GerberPhoto editing: Jason van StavarenMore information at: http://epicenterprojects.com/MELISSA_THORNE_DESERT-CENTER
 Untitled WC2, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
Untitled WC2, 2016: Watercolor and gouache on paper, 15 x 12".Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 Untitled WC4, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
Untitled WC4, 2016: Watercolor and gouache on paper, 15 x 12".Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 Untitled WC3, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
Untitled WC3, 2016: Watercolor and gouache on paper, 15 x 12".Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 Untitled WC1, 2016: Watercolor and gouache on paper, 15 x 12".  Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
Untitled WC1, 2016: Watercolor and gouache on paper, 15 x 12".Excerpt from an ongoing series of works on paper exploring architectural patterns accumulated during an extended research trip to Rio de Janeiro, Brazil. The patterns are taken from security gates throughout the city.
 By the Light or the Eye, 2015: Exterior installation view, acrylic enamel and milled sintra on existing storefront.  Site-specific painting installation made for GRIDSPACE, an artist-run storefront in Brooklyn, New York.  Photo credit: Alan Wiener       
By the Light or the Eye, 2015: Exterior installation view, acrylic enamel and milled sintra on existing storefront.Site-specific painting installation made for GRIDSPACE, an artist-run storefront in Brooklyn, New York.Photo credit: Alan Wiener  
 By the Light or the Eye, 2015: Interior installation view, ink and watercolor on existing wall (left), framed letterpress print (right).  GRIDSPACE, Brooklyn, NY.  Photo credit: Alan Wiener
By the Light or the Eye, 2015: Interior installation view, ink and watercolor on existing wall (left), framed letterpress print (right).  GRIDSPACE, Brooklyn, NY.Photo credit: Alan Wiener
 Aperture, 2015: Unique letterpress print with hand-painted watercolor, 8.5 x 10.5" each.  Two examples from a limited edition print series made with GRIDSPACE editions, in collaboration with printer Ruby Kapka/NSFW Presse.
Aperture, 2015: Unique letterpress print with hand-painted watercolor, 8.5 x 10.5" each.Two examples from a limited edition print series made with GRIDSPACE editions, in collaboration with printer Ruby Kapka/NSFW Presse.
 Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro
Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.  Acrylic paintings installed on site-specific wall painting, ink and graphite, 10'8" x 40 feet.  Photo credit: Logan Beck
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.Acrylic paintings installed on site-specific wall painting, ink and graphite, 10'8" x 40 feet.Photo credit: Logan Beck
 Untitled (Rocks), 2013: Acrylic on linen on panel, 40 x 32".  Photo credit: Logan Beck
Untitled (Rocks), 2013: Acrylic on linen on panel, 40 x 32".Photo credit: Logan Beck
 Untitled (Louver), 2013:  Acrylic on linen on panel, 40 x 32".  Photo credit: Logan Beck
Untitled (Louver), 2013:  Acrylic on linen on panel, 40 x 32".Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.Photo credit: Logan Beck
 Untitled (Olana), 2013: Silkscreen wall-hanging on hand-dyed linen, 2 panels 72 x 48" each, + hand-turned maple stool with acrylic enamel surface, 16" diameter x 12".  Photo credit: Logan Beck   
Untitled (Olana), 2013: Silkscreen wall-hanging on hand-dyed linen, 2 panels 72 x 48" each, + hand-turned maple stool with acrylic enamel surface, 16" diameter x 12".Photo credit: Logan Beck 
 Untitled (Olana), 2013:  Detail view of stool with machine-milled relief face.  Photo credit: Logan Beck
Untitled (Olana), 2013:  Detail view of stool with machine-milled relief face.Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Alternate installation view with second wall painting, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck   
A Wall Around a Window, 2013:  Alternate installation view with second wall painting, Devin Borden Gallery, Houston, TX.Photo credit: Logan Beck 
 A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Detail with framed watercolors installed on wall painting.  Photo credit: Logan Beck
A Wall Around a Window, 2013:  Detail with framed watercolors installed on wall painting.Photo credit: Logan Beck
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.  Photo credit: Logan Beck
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX.Photo credit: Logan Beck
 Ranchstone Repeat, 2012: Ink and graphite on existing column, 32 feet x 16” x 16”, University Art Museum, University at Albany/SUNY, NY.  Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
Ranchstone Repeat, 2012: Ink and graphite on existing column, 32 feet x 16” x 16”, University Art Museum, University at Albany/SUNY, NY.Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
 Ranchstone Repeat, 2012:  Detail, ink and graphite on existing column, 32 feet x 16” x 16”, University Art Museum, University at Albany/SUNY, NY.
Ranchstone Repeat, 2012:  Detail, ink and graphite on existing column, 32 feet x 16” x 16”, University Art Museum, University at Albany/SUNY, NY.
 Repeater, 2011:  Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.  Site as Symbol exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA.   
Repeater, 2011:  Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.Site as Symbol exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA. 
 Repeater, 2011:  Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.  FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
Repeater, 2011:  Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
 Stamp, 2010:  Watercolor and ink on cut paper, 17 x 15”.
Stamp, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Divider, 2010:  Watercolor and ink on cut paper, 17 x 15”.
Divider, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Patch, 2010:  Watercolor and ink on cut paper, 17 x 15”.
Patch, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Repeater, 2010:  Watercolor and ink on cut paper, 17 x 15”.
Repeater, 2010:  Watercolor and ink on cut paper, 17 x 15”.
 Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX.   Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX. Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
 Rockslide Rocksolid, 2010: Custom audio table with vinyl records, 20 x 20 x 16".    
Rockslide Rocksolid, 2010: Custom audio table with vinyl records, 20 x 20 x 16". 
 Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.    
Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern. 
 Rockslide Rocksolid, 2010:  Sound curtain patterns, screen-printed on hand-dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
Rockslide Rocksolid, 2010:  Sound curtain patterns, screen-printed on hand-dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
 Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves. 
Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves. 
 Patch Repeat, 2011: Letterpress and unique watercolor collage, 8 x 10” each.   Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson/Wavelength Press.   
Patch Repeat, 2011: Letterpress and unique watercolor collage, 8 x 10” each. Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson/Wavelength Press. 
 Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008: Original watercolor and audio, produced as a CD edition of 50.   The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition in which artists were invited to interpret works from the museum collection,  A Machine Project Field Guide to the Los Angeles County Museum of Art.
Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008: Original watercolor and audio, produced as a CD edition of 50. The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition in which artists were invited to interpret works from the museum collection, A Machine Project Field Guide to the Los Angeles County Museum of Art.
 Eight-Story High Rise, 2007:  Ink, watercolor and gouache on paper, 28 x 25”.
Eight-Story High Rise, 2007:  Ink, watercolor and gouache on paper, 28 x 25”.
 Geode ,  2007: Ink and watercolor on paper, 19 x 16".   
Geode, 2007: Ink and watercolor on paper, 19 x 16". 
 Demonstration Earthship, 2007:  Watercolor, ink, gouache and collage on paper, 34 x 30".
Demonstration Earthship, 2007:  Watercolor, ink, gouache and collage on paper, 34 x 30".
 A Partial Index of Improvements, 2006-7: Watercolor, ink and gouache on paper, each panel 10 x 13".  24 individual works shown exclusively as one piece, overall installed size variable.
A Partial Index of Improvements, 2006-7: Watercolor, ink and gouache on paper, each panel 10 x 13".24 individual works shown exclusively as one piece, overall installed size variable.
 Superstructure (House Construction Details, 1939-1968), 2007: Ink and watercolor on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."
Superstructure (House Construction Details, 1939-1968), 2007: Ink and watercolor on paper, 10 x 13".One of 24 works on paper in "A Partial Index of Improvements."
 Lancaster Coverlet (Philip Schum, 1814-1880), 2006: Ink on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."   
Lancaster Coverlet (Philip Schum, 1814-1880), 2006: Ink on paper, 10 x 13".One of 24 works on paper in "A Partial Index of Improvements." 
 Quaker Meeting House (Princeton, NJ, 1726), 2006: Ink and watercolor on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."         
Quaker Meeting House (Princeton, NJ, 1726), 2006: Ink and watercolor on paper, 10 x 13".One of 24 works on paper in "A Partial Index of Improvements."   
 Six-sided Trivet (Woven Floral Point), 2007: Ink on paper, 10 x 13".  One of 24 works on paper in "A Partial Index of Improvements."
Six-sided Trivet (Woven Floral Point), 2007: Ink on paper, 10 x 13".One of 24 works on paper in "A Partial Index of Improvements."
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