......................................................................................................................................................................................................................
 Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro, Brazil

Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro, Brazil

 A Wall Around a Window, 2013:  Installation view, Acrylic paintings installed on site-specific wall painting, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013:  Installation view, Acrylic paintings installed on site-specific wall painting, Devin Borden Gallery, Houston, TX

 Untitled (Rocks), 2013:  40 x 32", Acrylic on linen on panel

Untitled (Rocks), 2013:  40 x 32", Acrylic on linen on panel

 Untitled (Louver), 2013:  40 x 32", Acrylic on linen on panel

Untitled (Louver), 2013:  40 x 32", Acrylic on linen on panel

 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

 Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple   

Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple

 

 Untitled, 2013:  Detail view of stool

Untitled, 2013:  Detail view of stool

 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

 A Wall Around a Window, 2013: Installation view with framed watercolors installed on site-specific wall painting, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013: Installation view with framed watercolors installed on site-specific wall painting, Devin Borden Gallery, Houston, TX

 A Wall Around a Window, 2013:  Detail with framed watercolors installed on site-specific wall painting

A Wall Around a Window, 2013:  Detail with framed watercolors installed on site-specific wall painting

 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

 Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY

Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY

 Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY

Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY

 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA   

Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA

 

 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.

Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.

 Stamp, 2010:  17 x 15”, watercolor and ink on cut paper

Stamp, 2010:  17 x 15”, watercolor and ink on cut paper

 Divider, 2010:  17 x 15”, watercolor and ink on cut paper

Divider, 2010:  17 x 15”, watercolor and ink on cut paper

 Patch, 2010:  17 x 15”, watercolor and ink on cut paper

Patch, 2010:  17 x 15”, watercolor and ink on cut paper

 Repeater, 2010:  17 x 15”, watercolor and ink on cut paper

Repeater, 2010:  17 x 15”, watercolor and ink on cut paper

 Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX  Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.

Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX

Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.

 Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16"    

Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16"

 

 Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.    

Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.

 

 Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.

Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.

 Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers  by the artist. Custom vinyl color and offset litho sleeves.  The record was featured in the listening room  installation, Rockslide Rocksolid.

Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers

by the artist. Custom vinyl color and offset litho sleeves.  The record was featured in the listening room

installation, Rockslide Rocksolid.

 Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series (12 prints, 12 artists proofs) made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson.   

Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series (12 prints, 12 artists proofs) made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson.

 

 Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.   *The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.

Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.


*The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.

 Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper.

Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper.

 Geode ,  2007:  16 x 19", ink and watercolor on paper.   

Geode, 2007:  16 x 19", ink and watercolor on paper.

 

 Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper.

Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper.

Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro, Brazil

A Wall Around a Window, 2013:  Installation view, Acrylic paintings installed on site-specific wall painting, Devin Borden Gallery, Houston, TX

Untitled (Rocks), 2013:  40 x 32", Acrylic on linen on panel

Untitled (Louver), 2013:  40 x 32", Acrylic on linen on panel

A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple

 

Untitled, 2013:  Detail view of stool

A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013: Installation view with framed watercolors installed on site-specific wall painting, Devin Borden Gallery, Houston, TX

A Wall Around a Window, 2013:  Detail with framed watercolors installed on site-specific wall painting

A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX

Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY

Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY

Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA

 

Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.

Stamp, 2010:  17 x 15”, watercolor and ink on cut paper

Divider, 2010:  17 x 15”, watercolor and ink on cut paper

Patch, 2010:  17 x 15”, watercolor and ink on cut paper

Repeater, 2010:  17 x 15”, watercolor and ink on cut paper

Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX

Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.

Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16"

 

Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.

 

Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.

Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers

by the artist. Custom vinyl color and offset litho sleeves.  The record was featured in the listening room

installation, Rockslide Rocksolid.

Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series (12 prints, 12 artists proofs) made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson.

 

Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.


*The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.

Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper.

Geode, 2007:  16 x 19", ink and watercolor on paper.

 

Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper.

 Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro, Brazil
 A Wall Around a Window, 2013:  Installation view, Acrylic paintings installed on site-specific wall painting, Devin Borden Gallery, Houston, TX
 Untitled (Rocks), 2013:  40 x 32", Acrylic on linen on panel
 Untitled (Louver), 2013:  40 x 32", Acrylic on linen on panel
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple   
 Untitled, 2013:  Detail view of stool
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 A Wall Around a Window, 2013: Installation view with framed watercolors installed on site-specific wall painting, Devin Borden Gallery, Houston, TX
 A Wall Around a Window, 2013:  Detail with framed watercolors installed on site-specific wall painting
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY
 Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on latex wall paint on existing column, University Art Museum, University at Albany/SUNY, NY
 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA   
 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on latex wall paint, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
 Stamp, 2010:  17 x 15”, watercolor and ink on cut paper
 Divider, 2010:  17 x 15”, watercolor and ink on cut paper
 Patch, 2010:  17 x 15”, watercolor and ink on cut paper
 Repeater, 2010:  17 x 15”, watercolor and ink on cut paper
 Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX  Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
 Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16"    
 Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.    
 Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
 Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers  by the artist. Custom vinyl color and offset litho sleeves.  The record was featured in the listening room  installation, Rockslide Rocksolid.
 Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series (12 prints, 12 artists proofs) made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson.   
 Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.   *The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.
 Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper.
 Geode ,  2007:  16 x 19", ink and watercolor on paper.   
 Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper.