By the Light or the Eye, 2015:  exterior installation view, a  crylic enamel and milled sintra on existing storefront.    Site-specific painting installation, extending from the street to the interior, GRIDSPACE, Brooklyn, NY     
  By the Light or the Eye, 2015:   interior installation view  , ink and watercolor on existing wall, f  ramed letterpress print , GRIDSPACE, Brooklyn, NY
 Aperture, 2015: 8.5 x 10.5" each, unique letterpress print with hand-painted watercolor.  Two examples from a limited edition print series made with GRIDSPACE editions, in collaboration with printer Ruby Kapka.
 Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Untitled (Rocks), 2013:  40 x 32", acrylic on linen on panel
 Untitled (Louver), 2013:  40 x 32", acrylic on linen on panel
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple   
 Untitled, 2013:  Detail view of stool
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX
 A Wall Around a Window, 2013:  Detail with framed watercolors installed on wall painting
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on existing column, University Art Museum, University at Albany/SUNY, NY
 Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on existing column, University Art Museum, University at Albany/SUNY, NY
 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on existing wall, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA   
 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on existing wall, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
 Stamp, 2010:  17 x 15”, watercolor and ink on cut paper
 Divider, 2010:  17 x 15”, watercolor and ink on cut paper
 Patch, 2010:  17 x 15”, watercolor and ink on cut paper
 Repeater, 2010:  17 x 15”, watercolor and ink on cut paper
 Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX.  Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
 Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16"    
 Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.    
 Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
 Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves. 
 Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson.   
 Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.  The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.
 Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper
 Geode ,  2007:  16 x 19", ink and watercolor on paper   
 Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper
 By the Light or the Eye, 2015:  exterior installation view, a  crylic enamel and milled sintra on existing storefront.    Site-specific painting installation, extending from the street to the interior, GRIDSPACE, Brooklyn, NY     
By the Light or the Eye, 2015: exterior installation view, acrylic enamel and milled sintra on existing storefront.  Site-specific painting installation, extending from the street to the interior, GRIDSPACE, Brooklyn, NY 
  By the Light or the Eye, 2015:   interior installation view  , ink and watercolor on existing wall, f  ramed letterpress print , GRIDSPACE, Brooklyn, NY
By the Light or the Eye, 2015: interior installation view, ink and watercolor on existing wall, framed letterpress print, GRIDSPACE, Brooklyn, NY
 Aperture, 2015: 8.5 x 10.5" each, unique letterpress print with hand-painted watercolor.  Two examples from a limited edition print series made with GRIDSPACE editions, in collaboration with printer Ruby Kapka.
Aperture, 2015: 8.5 x 10.5" each, unique letterpress print with hand-painted watercolor.  Two examples from a limited edition print series made with GRIDSPACE editions, in collaboration with printer Ruby Kapka.
 Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro
Screen Study, 2014:  64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Untitled (Rocks), 2013:  40 x 32", acrylic on linen on panel
Untitled (Rocks), 2013:  40 x 32", acrylic on linen on panel
 Untitled (Louver), 2013:  40 x 32", acrylic on linen on panel
Untitled (Louver), 2013:  40 x 32", acrylic on linen on panel
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple   
Untitled, 2013: wall-hanging and stool, screenprint on hand-dyed linen, oil enamel on milled maple 
 Untitled, 2013:  Detail view of stool
Untitled, 2013:  Detail view of stool
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX
 A Wall Around a Window, 2013:  Detail with framed watercolors installed on wall painting
A Wall Around a Window, 2013:  Detail with framed watercolors installed on wall painting
 A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
A Wall Around a Window, 2013:  Installation view, Devin Borden Gallery, Houston, TX
 Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on existing column, University Art Museum, University at Albany/SUNY, NY
Ranchstone Repeat, 2012:  32 feet x 16” x 16”, ink and graphite on existing column, University Art Museum, University at Albany/SUNY, NY
 Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on existing column, University Art Museum, University at Albany/SUNY, NY
Ranchstone Repeat, 2012:  Detail, 32 feet x 16” x 16”, ink and graphite on existing column, University Art Museum, University at Albany/SUNY, NY
 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on existing wall, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA   
Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on existing wall, Site as Symbol exhibition, FOCA exhibition space, Los Angeles, CA 
 Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on existing wall, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
Repeater, 2011:  9ft. 6” x 32 ft. 4”, ink, watercolor and graphite on existing wall, FOCA exhibition space, Los Angeles, CA.  Installation view of Site as Symbol exhibition with works by Jill Newman and Pat O'Neill.
 Stamp, 2010:  17 x 15”, watercolor and ink on cut paper
Stamp, 2010:  17 x 15”, watercolor and ink on cut paper
 Divider, 2010:  17 x 15”, watercolor and ink on cut paper
Divider, 2010:  17 x 15”, watercolor and ink on cut paper
 Patch, 2010:  17 x 15”, watercolor and ink on cut paper
Patch, 2010:  17 x 15”, watercolor and ink on cut paper
 Repeater, 2010:  17 x 15”, watercolor and ink on cut paper
Repeater, 2010:  17 x 15”, watercolor and ink on cut paper
 Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX.  Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX.  Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
 Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16"    
Rockslide Rocksolid, 2010: Custom audio table, 20 x 20 x 16" 
 Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.    
Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern. 
 Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
Rockslide Rocksolid, 2010:  Sound curtain patterns, hand-printed on dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
 Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves. 
Landslide/Solid, 2010:  Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves. 
 Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson.   
Patch Repeat, 2011:  8 x 10” each, letterpress and unique watercolor collage.  Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson. 
 Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.  The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.
Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008, original watercolor and audio, produced as a CD edition of 50.  The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition/commission in which artists were invited to interpret works from the museum collection.
 Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper
Eight-Story High Rise, 2007:  28 x 25”, gouache, ink and watercolor on paper
 Geode ,  2007:  16 x 19", ink and watercolor on paper   
Geode, 2007:  16 x 19", ink and watercolor on paper 
 Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper
Demonstration Earthship, 2007:  34 x 30", gouache, ink, watercolor and collage on paper
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