Screen Study , 2014: 64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro.
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX. Acrylic paintings installed on site-specific wall painting, ink and graphite, 10'8" x 40 feet. Photo credit: Logan Beck More information: https://issuu.com/dev
Untitled (Rocks) , 2013: Acrylic on linen on panel, 40 x 32". Photo credit: Logan Beck
Untitled (Louver) , 2013: Acrylic on linen on panel, 40 x 32". Photo credit: Logan Beck
A Wall Around a Window , 2013: Installation view, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
Untitled (Olana) , 2013: Silkscreen wall-hanging on hand-dyed linen, 2 panels 72 x 48" each, + hand-turned maple stool with acrylic enamel surface, 16" diameter x 12". Photo credit: Logan Beck
Untitled (Olana) , 2013: Detail view of stool with machine-milled relief face. Photo credit: Logan Beck
A Wall Around a Window , 2013: Alternate installation view with second wall painting, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window , 2013: Installation view, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window , 2013: Detail with framed watercolors installed on wall painting. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck
Ranchstone Repea t, 2012: Ink and graphite on existing column, 32 feet x 16” x 16.” Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
Ranchstone Repeat , 2012: Detail, ink and graphite on existing column, 32 feet x 16” x 16.” Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY,
Repeater , 2011: Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”. “Site as Symbol” exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA.
Repeater , 2011: Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”. “Site as Symbol” exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA. Installation view of exhibition with works by Jill Newman a
Stamp, 2010: Watercolor and ink on cut paper, 17 x 15”.
Divider , 2010: Watercolor and ink on cut paper, 17 x 15”.
Patch , 2010: Watercolor and ink on cut paper, 17 x 15”.
Repeater , 2010: Watercolor and ink on cut paper, 17 x 15”.
Rockslide Rocksolid , 2010: Installation view, Optical Project, Houston, TX. Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
Rockslide Rocksolid , 2010: Custom audio table with vinyl records, 20 x 20 x 16".
Rockslide Rocksolid , 2010: Alternate installation view with secondary curtain pattern.
Rockslide Rocksolid , 2010: Sound curtain patterns, screen-printed on hand-dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
Landslide/Solid , 2010: Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves.
Patch Repeat , 2011: Letterpress and unique watercolor collage, 8 x 10” each. Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson/Wavelength Press.
Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length) , 2008: Original watercolor and audio, produced as a CD edition of 50. The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound
Eight-Story High Rise , 2007: Ink, watercolor and gouache on paper, 28 x 25”.
Screen Study , 2014: 64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro.
Screen Study, 2014: 64 x 78", acrylic ink on existing cement wall, Pereira da Silva community, Rio de Janeiro.
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX. Acrylic paintings installed on site-specific wall painting, ink and graphite, 10'8" x 40 feet. Photo credit: Logan Beck More information: https://issuu.com/dev
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.Acrylic paintings installed on site-specific wall painting, ink and graphite, 10'8" x 40 feet.Photo credit: Logan BeckMore information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
Untitled (Rocks) , 2013: Acrylic on linen on panel, 40 x 32". Photo credit: Logan Beck
Untitled (Rocks), 2013: Acrylic on linen on panel, 40 x 32".Photo credit: Logan Beck
Untitled (Louver) , 2013: Acrylic on linen on panel, 40 x 32". Photo credit: Logan Beck
Untitled (Louver), 2013: Acrylic on linen on panel, 40 x 32".Photo credit: Logan Beck
A Wall Around a Window , 2013: Installation view, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.Photo credit: Logan BeckMore information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
Untitled (Olana) , 2013: Silkscreen wall-hanging on hand-dyed linen, 2 panels 72 x 48" each, + hand-turned maple stool with acrylic enamel surface, 16" diameter x 12". Photo credit: Logan Beck
Untitled (Olana), 2013: Silkscreen wall-hanging on hand-dyed linen, 2 panels 72 x 48" each, + hand-turned maple stool with acrylic enamel surface, 16" diameter x 12".Photo credit: Logan Beck
Untitled (Olana) , 2013: Detail view of stool with machine-milled relief face. Photo credit: Logan Beck
Untitled (Olana), 2013: Detail view of stool with machine-milled relief face.Photo credit: Logan Beck
A Wall Around a Window , 2013: Alternate installation view with second wall painting, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window, 2013: Alternate installation view with second wall painting, Devin Borden Gallery, Houston, TX.Photo credit: Logan BeckMore information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window , 2013: Installation view, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.Photo credit: Logan BeckMore information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window , 2013: Detail with framed watercolors installed on wall painting. Photo credit: Logan Beck More information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window, 2013: Detail with framed watercolors installed on wall painting.Photo credit: Logan BeckMore information: https://issuu.com/devinbordengallery/docs/a_wall_around_a_window_9a545ff87b28e2
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX. Photo credit: Logan Beck
A Wall Around a Window, 2013: Installation view, Devin Borden Gallery, Houston, TX.Photo credit: Logan Beck
Ranchstone Repea t, 2012: Ink and graphite on existing column, 32 feet x 16” x 16.” Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
Ranchstone Repeat, 2012: Ink and graphite on existing column, 32 feet x 16” x 16.”Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
Ranchstone Repeat , 2012: Detail, ink and graphite on existing column, 32 feet x 16” x 16.” Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY,
Ranchstone Repeat, 2012: Detail, ink and graphite on existing column, 32 feet x 16” x 16.”Site-specific painting made for the exhibition “Material Occupation,” curated by Corinna Ripps Schaming. University Art Museum, University at Albany/SUNY, NY.
Repeater , 2011: Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”. “Site as Symbol” exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA.
Repeater, 2011: Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.“Site as Symbol” exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA.
Repeater , 2011: Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”. “Site as Symbol” exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA. Installation view of exhibition with works by Jill Newman a
Repeater, 2011: Ink, watercolor and graphite on existing wall, 9' 6” x 32' 4”.“Site as Symbol” exhibition, curated by Survey West Collaborative, FOCA exhibition space, Los Angeles, CA.Installation view of exhibition with works by Jill Newman and Pat O'Neill.
Stamp, 2010: Watercolor and ink on cut paper, 17 x 15”.
Stamp, 2010: Watercolor and ink on cut paper, 17 x 15”.
Divider , 2010: Watercolor and ink on cut paper, 17 x 15”.
Divider, 2010: Watercolor and ink on cut paper, 17 x 15”.
Patch , 2010: Watercolor and ink on cut paper, 17 x 15”.
Patch, 2010: Watercolor and ink on cut paper, 17 x 15”.
Repeater , 2010: Watercolor and ink on cut paper, 17 x 15”.
Repeater, 2010: Watercolor and ink on cut paper, 17 x 15”.
Rockslide Rocksolid , 2010: Installation view, Optical Project, Houston, TX. Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
Rockslide Rocksolid, 2010: Installation view, Optical Project, Houston, TX.Listening room with hand-printed linen sound curtains, custom furniture and original audio on limited edition vinyl records.
Rockslide Rocksolid , 2010: Custom audio table with vinyl records, 20 x 20 x 16".
Rockslide Rocksolid, 2010: Custom audio table with vinyl records, 20 x 20 x 16".
Rockslide Rocksolid , 2010: Alternate installation view with secondary curtain pattern.
Rockslide Rocksolid, 2010: Alternate installation view with secondary curtain pattern.
Rockslide Rocksolid , 2010: Sound curtain patterns, screen-printed on hand-dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
Rockslide Rocksolid, 2010: Sound curtain patterns, screen-printed on hand-dyed linen in collaboration with Gray Area Print, Los Angeles, CA.
Landslide/Solid , 2010: Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves.
Landslide/Solid, 2010: Original 12”, two-sided vinyl record in edition of 100, featuring song covers by the artist. Custom vinyl color and offset litho sleeves.
Patch Repeat , 2011: Letterpress and unique watercolor collage, 8 x 10” each. Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson/Wavelength Press.
Patch Repeat, 2011: Letterpress and unique watercolor collage, 8 x 10” each.Two examples from a limited edition print series made for Los Angeles Contemporary Exhibitions, in collaboration with printer Leslie Ross-Robertson/Wavelength Press.
Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length) , 2008: Original watercolor and audio, produced as a CD edition of 50. The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound
Melissa Thorne with Fol Chen, Untitled (Wiener Werkstatte textile length), 2008: Original watercolor and audio, produced as a CD edition of 50.The 50 x 50” artwork (above) was subsequently cut into 5” square CD sleeve cards, to accompany a sound piece also based on the same Wiener Werkstatte textile, in the permanent collection of LACMA. This was part of an exhibition in which artists were invited to interpret works from the museum collection, “A Machine Project Field Guide to the Los Angeles County Museum of Art.”
Eight-Story High Rise , 2007: Ink, watercolor and gouache on paper, 28 x 25”.
Eight-Story High Rise, 2007: Ink, watercolor and gouache on paper, 28 x 25”.
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